Political sociology of composing
Identifieur interne : 000209 ( PascalFrancis/Corpus ); précédent : 000208; suivant : 000210Political sociology of composing
Auteurs : Mostafa Rejai ; Kay PhillipsSource :
- Journal of political and military sociology [ 0047-2697 ] ; 2002.
Descripteurs français
- Pascal (Inist)
English descriptors
- KwdEn :
Abstract
This paper examines the political sociology of composing by looking at the life and work of six classical composers: Bach, Haydn, Mozart, Brahms, Tchaikovsky, and Schoenberg. We find that composing entails distinct social, political, cultural, religious, and familial dimensions. We conclude that the much touted purity and insularity of classical music are but myths. We note that the fact of composing presumes at least a partial synthesis of the humanities and the social sciences
Notice en format standard (ISO 2709)
Pour connaître la documentation sur le format Inist Standard.
pA |
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Format Inist (serveur)
NO : | FRANCIS 521-03-15561 INIST |
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FT : | (Sociologie politique de la composition) |
ET : | Political sociology of composing |
AU : | REJAI (Mostafa); PHILLIPS (Kay) |
AF : | Miami University/Ohio/Etats-Unis (1 aut., 2 aut.) |
DT : | Publication en série; Niveau analytique |
SO : | Journal of political and military sociology; ISSN 0047-2697; Etats-Unis; Da. 2002; Vol. 30; No. 2; Pp. 217-238; Bibl. 10 ref. |
LA : | Anglais |
EA : | This paper examines the political sociology of composing by looking at the life and work of six classical composers: Bach, Haydn, Mozart, Brahms, Tchaikovsky, and Schoenberg. We find that composing entails distinct social, political, cultural, religious, and familial dimensions. We conclude that the much touted purity and insularity of classical music are but myths. We note that the fact of composing presumes at least a partial synthesis of the humanities and the social sciences |
CC : | 52160; 521 |
FD : | Art; Musique classique; Composition musicale; Milieu social; Milieu familial; Biographie; Bach (J. S.); Haydn (F. J.); Mozart (W. A.); Brahms (J.); Tchaikovsky (P. I.); Schoenberg (A.) |
ED : | Art; Classical Music; Musical composition; Social Environment; Family environment; Biography |
LO : | INIST-22317.354000103992600010 |
ID : | 521 |
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Francis:521-03-15561Le document en format XML
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<front><div type="abstract" xml:lang="en">This paper examines the political sociology of composing by looking at the life and work of six classical composers: Bach, Haydn, Mozart, Brahms, Tchaikovsky, and Schoenberg. We find that composing entails distinct social, political, cultural, religious, and familial dimensions. We conclude that the much touted purity and insularity of classical music are but myths. We note that the fact of composing presumes at least a partial synthesis of the humanities and the social sciences</div>
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<FT>(Sociologie politique de la composition)</FT>
<ET>Political sociology of composing</ET>
<AU>REJAI (Mostafa); PHILLIPS (Kay)</AU>
<AF>Miami University/Ohio/Etats-Unis (1 aut., 2 aut.)</AF>
<DT>Publication en série; Niveau analytique</DT>
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<LA>Anglais</LA>
<EA>This paper examines the political sociology of composing by looking at the life and work of six classical composers: Bach, Haydn, Mozart, Brahms, Tchaikovsky, and Schoenberg. We find that composing entails distinct social, political, cultural, religious, and familial dimensions. We conclude that the much touted purity and insularity of classical music are but myths. We note that the fact of composing presumes at least a partial synthesis of the humanities and the social sciences</EA>
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